The themes of subterfuge seem more obvious today knowing that Rock Hudson, who starred in some of the films, was secretly gay. It brings to the surface the undercurrents of homosexuality in the 1950s Douglas Sirk movies (“All That Heaven Allows,” “Magnificent Obsession”) that inspired Haynes to make his film. More ambitious than those smaller films, the $14-million “Far From Heaven” is already stirring Oscar speculation. This fall, actors James Van Der Beek and Ian Somerhalder, playing jaded college boys, shared a kiss in “The Rules of Attraction.” There’s more male kissing in the current indie films “Love in the Time of Money” and “All the Queen’s Men.” I know it tells other actors it’s OK to play gay.
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He’s a great-looking guy, not just an actor, but a movie star. “It’s also a great kiss because it’s Dennis Quaid.
Julianne Moore, who plays Quaid’s character’s wife, doesn’t just find her husband going out with another man in a public place, he noted, but discovers them in flagrante delicto, actually embracing and kissing.
Quaid’s kiss in “Far From Heaven” is a particularly good one, said Scott Seomin, entertainment media director for the Los Angeles office of the Gay & Lesbian Alliance Against Defamation, because it’s a natural part of the story and not used for shock value. He can afford to take risks other actors like Tom Cruise can’t.” He’s not so concerned with his marketability to the detriment of his art. “People associate him with a certain kind of honesty. If any actor could take on a male kiss, it would be Quaid, said Gary Morris, editor of the online quarterly Bright Lights Film Journal. “When you see two guys kissing, it pretty much demonstrates they’re not kidding,” Rudnick said. But physically expressing gay love is something else again. The kiss “wasn’t anything exploitative it was integral to the script,” Quaid said of the kissing scene in “Far From Heaven,” which opened on Friday.Īs Rudnick said, American audiences by now have become used to gay male humor and gay domestic life, whether it’s depicted in movies (“The Birdcage”) or on network television (“Will & Grace”). The taboo against screen kisses between men may crumble as gay characters become increasingly intimate in movies - and as high-profile mainstream actors like Quaid become more willing to do whatever their characters would. “It’s almost a last frontier,” said screenwriter Paul Rudnick, whose 1997 film “In & Out” induced a mild hysteria in some audiences five years ago with its long, comic roadside kiss between actors Kevin Kline and Tom Selleck. But two men kissing still carries enough charge to shock. Women kissing women has become so common it’s almost a cliche in art-house and even studio films (“Frida,” “Kissing Jessica Stein” and the upcoming “The Hours,” which explores the effect of writer Virginia Woolf on three women in different eras). It could take longer for audiences to get used to passionate kissing between men. “After the third take, when I got over the razor burn, it was just another day at the office.” “It took eight takes to get it right,” he added. On take 1, we were sort of mauling each other like linebackers. “Both of us were laughing, ‘How about those Yankees’ and stuff. Both actors are straight, and Quaid particularly has become known for roles as a guy’s guy in such movies as “The Big Easy,” “Frequency” and “The Rookie.” In his new film “Far From Heaven,” Quaid’s character, a 1950s executive, is discovered, by his wife, sweaty and shirtless in a passionate embrace with a gay barfly, played by Jonathan Walker. The kiss didn’t exactly come naturally for actor Dennis Quaid.